If you’ve ever ran sound for a live event, you’ve probably experienced a less-than-perfect mic check. The performer gives the mic a tap and a quiet “test 1-2". Signal level is low so you turn up the gain — still quiet. A little higher and suddenly the performer gives you something closer to performance level and ... feedback. Sound familiar? You’re not alone. Setting mic gain doesn’t need to be overly complicated, but it can often be one of the most misunderstood steps in getting a good mix. Whether you’re mixing a theatre production, a live band, or a Sunday service, proper gain structure can set the foundation for professional sound. Let’s walk through how to get it right — every time. 

When it comes to procurement for professional audio, lighting, and video services, is it possible to balance the “best price” and “best service”? We think it is! Below are some insights that may help you navigate this challenge. The Challenge of Price-Driven Procurement Many municipalities and organizations are required to purchase from the vendor offering the lowest price. But is this approach always the best? As taxpayers, we want assurance that public money is being spent appropriately, and that there’s no room for favouritism or backdoor deals. The intent is good, but in practice, this system often results in a “bare bones” solution. The theory behind it is to guard against preferential treatment or collusion, ensuring that public funds are used responsibly. However, focusing solely on the lowest price can often result in solutions that are less than ideal.